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It happens every year a U.S. Open is played at San Francisco’s Olympic Club. The question is always asked, just as it was last year, and the answer always brings another question. Usually it’s those from out of town who note that this golf course has no water hazards, no out of bounds, only one fairway bunker . . . here is the shortest golf course to hold the Open, and yet it is such a wonderful test of golf. Tough, deceptive, but fair—a masterpiece
Who is the architect? Is this a Tillignhast? An Alister MacKenzie? No, but the architect was equally famous in his time, and knew both men well. Willie Watson was the architect. He was commissioned to design the two courses at Olympic in 1923. Willie Watson? Never heard of him, what else has he done?
Watson came to the United States from Scotland in 1898. He spent much of his time with James “Pop” Smith (a famous golfer from Carnoustie, Scotland) and his clan at Claremont Country Club in Oakland, the same course Alister MacKenzie, another friend of Smith’s from the old country, called home when he first came to the States.
Though Watson’s name is not as renowned these days as it was in the 1920s, his work has stood the test through time. Watson also designed Interlachen in Minneapolis, Hillcrest and Annandale in Southern California, Fort Washington in Fresno.
The Bay Area is blessed with a good portion of Watson’s work, due to his kinship with Smith at Claremont. He designed Harding Park in San Francisco, Diablo CC in Danville and Berkeley CC (now Mira Vista CC) in Richmond. He had a hand in the redesign of Claremont, with MacKenzie. But the golf course that well could be Watson’s real masterpiece sits quietly and peacefully in a secluded canyon east of the Berkeley Hills.
Orinda Country Club, much like the reputation of its designer, is appreciated and savored by those who know, but lurks in relative anonymity in the mainstream of today’s world.
Edward deLaveaga, the founder of the town of Orinda, conceived Orinda Country Club early in the 1920s and wanted the best architect in golf to design his course. Watson had the international reputation at the time, and he happened to be nearby, designing the Olympic Club, so deLaveaga commissioned him.
Watson took the job because he was strapped for cash. Olympic proved to be more of a challenge than he bargained for—erosion and landslides on the Ocean course (which he though to be his masterpiece) during and after construction had almost tapped him out. He took the Orinda job to keep his cash flow going.
But, Watson almost quit early on in a clash with deLaveaga, who was insistent that his clubhouse be built on a cliff by the reservoir he had built, with the lake on one side and a magnificent view of the San Pablo Valley on the other. Watson was equally insistent that the ninth hole should return to the clubhouse and the 10th tee should be nearby, that the clubhouse had to be in the valley—there was no way both nines could return to the clubhouse on that cliff.
The two argued until Watson ran out of money, and had to give in. That is why Orinda has 18 contiguous holes, the ninth hole out in the canyon, nowhere near the clubhouse.
The clubhouse opened on Aug. 29, 1925, though only five holes of the golf course were open for play. The full 18 holes at Orinda opened in 1927, just in time for the anxiously anticipated NCGA Championship, which would inaugurate the course the next spring (at that time, amateur golf received far more press coverage that the pros). Renowned golf writer Robert Hunter reviewed the course in The Links magazine in 1926, giving the course his highest rating. He compared the par-3 15th hole to the Redan, the most famous par-3 in the world at the time, at North Berwick, Scotland.
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